Yet Another…
…reason why my suspicion of “lit fic” is well justified occurs to me on the eve of this year’s NaNo.
First some information about this year’s NaNovel:
Title - Deadheads
Genre - Epistolary SF Horror Satire
Basic Overview - Upon the razing to the ground of school for troubled minors the Deisberg Academy three people describe the events leading up to the final conflagration and muse upon why the destruction of the Academy was, perhaps, inevitable. A story for people suspicious of the education system and the kinds of people it produces.
My research into the mooted backstory of the Deisberg Academy has lead me into some very scary places and with the seemingly arbitrary choice of a name for the institution into links with the worlds of espionage and Nazi eugenics. These are both themes that have a bearing on the overarching plot and also themes that enlarge upon the novel’s central point. I have to wonder, however, how arbitrary my choice of name for the Academy was. When I began plotting this out I thought of it in pure genre pulp terms just like Starfall. Starfall was: Haunted Nightclub Story and this is: Adolescent Zombie Story. Just like Starfall it’s increased in scope to mirror nothing less than the entire history of Britain from the Roman Empire to present day through the limited perspective of events in a small town on the Nottinghamshire/Leicestershire border so this one seems to be looking at the implications of eugenic thinking, the education system and the views of educated men (particularly men at first) in the shaping of our current educational situation.
And all this from the selection of a Bavarian surname? Why did the Germanic twang resonate with my author’s instinct? Did I somehow know that this is what I would find? I mean I was aware of Nazi eugenics before I even thought of this story, it’s plausible that it was my subconscious nudging me in this fruitful direction.
Whatever it was, the richness of the central themes of Deadheads would not actually have been possible in a literary fiction novel. Or rather, they might have been but the “restrictions” on subject matter that separates “lit fic” from “genre fic” mean that the minute someone blew something up or invented a biological weapon you leave literary and entre genre land. But it seems that such a satire could not be composed without recourse to the generic. Which leads me to wonder what the point of this stupid distinction is except to force the aspiring lit fic author to choose their abstractions carefully.
Genre fiction tends to have a more satisfying body count anyway. Stay tuned for some enlightening novel stats.